design can be enjoyed with the five senses. Here, we proposed an open stage on which children?
and adults alike take part in workshops while having fun.
in a straight line, as if drawing a horizontal line on the gently sloping grassy field.
symbol for the children’s workshop—it is a floor, a table, a bench, a playground or even a shelter.
places along the way; places to sit down, to stand up, to lie down or pass under.
young and old, converge to create something new.
Structural design: Ohno JAPAN
Production: Ishimaru
Building site: Tokyo Midtown DESIGN TOUCH Park?
Design Period: 2011.07–10
Construction period: 2011.10.24–26
Duration: 2011.10.28–2011.11.06
Photo: Fuminari Yoshitsugu / TORAFU ARCHITECTS
板用，或就當桌子用，或當成板凳，或當成庇護所。大家圍繞在這里，或坐，或站，或躺下，或者
是穿越。
眉開。這是一個創新之桌。
for children were held at the table, it was dismantled after the event. All the parts were shipped to?
Ishinomaki city in Miyagi Prefecture, which was affected by this year’s 3/11 earthquake and tsunami,?
where all the material are being recycled and reused where needed. This is coordinated by?
‘Ishinomaki Koubo’, a organisation which brings together professionals, resources and provides?
tools for rebuilding efforts. The materials that make up Gulliver Table is now being made into tables?
and benches needed in the local area.
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坯子庫小編一枚 |
在裝置中安裝由單線組成的網格，待裝置充氣后其自身的張力和特別的掐絲安裝技術使得線繃緊后并牢固到有足以支撐一個人的重量。人們在這個網格組成的白色均一空間中能夠任意攀行，且因為其均質不能判定方向和規模，在空間中有著非正常的空間體驗。
這個項目仍處于開發階段。這次為大家展示的是2013年年底在維也納鄉村地區做的一次實驗。
Prototype of a self supporting inhabitable social sculpture.
The installation is based on production system of large geometric inflated objects. Since the physical behavior of fluids tend to make all inflates spherical, thin parallel ropes are tied on opposite sides of the volume, keeping them parallel to one another. Filigree interiors of this technically invented system are never exposed to public.
When the volume deflates, the ropes get loose and lay on the ground enabling compression of the installation. When the object inflates, the ropes tense to a perfect line again, strained enough to carry the weight of a human being. Bodies entrapped in 3D grid, flying in unnatural positions throughout superficial white space, resemble Dadaist collages. Impossibility of perception of scale and direction results in simultaneous feeling of immenseness and absence of space.The project is still in development. The test was made in rural surrounding of Vienna, end of December 2013.
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