SketchUp坯子庫 » 辦公建筑

于家堡工程指揮中心 / 附參數化腳本 / YJP Administrative Center / HHD_FUN

aye_aye_aye — Tue, 19 May 2015 06:59:15 +0000

在這個項目中參數化設計在工程進度及施工過程中的優勢被毫無疑問的體現出來，即使是在被普遍認為施工處于低技狀態的中國。

YJP Administrative Center is a temporary building in Tianjin Binhai CBD.? Enclosed verandahs are arranged around the building to afford visual access to the CBD area from within the building.? This allows the occupants to survey the surrounding construction site.

The size of openings within the facade relates directly to the lighting requirements for particular activities within different areas of the building.? The porosity of the fa?ade is designed to produce the required conditions for these activities.? The integration of the density of the patterned fa?ade with the various inner functions forms a key focus of the project.

The fa?ade apertures serve as view frames.? Aperture size and orientation is varied in a continuous manner introducing topological difference across the fa?ade.? The whole fa?ade is constructed from six forms, reflected to give twelve types of identical components, making the building process highly efficient.? This meant that the building to be constructed in less than seven months.

于家堡工程指揮中心作為天津濱海新區在未來五年內于家堡金融區的所有工程辦公中心,需要在極短的時間內設計施工完畢以適應整個金融區的工程進度。在這個項目中參數化設計在工程進度及施工過程中的優勢被毫無疑問的體現出來，即使是在被普遍認為施工處于低技狀態的中國。

作為整個金融區的工程管理中心，二層以上所有房間的外側均設有環通的走廊以便于對整個工地的觀察。由于各房間功能的不同，按采光要求高低可分為辦公、休息、大廳、庫房、電梯廳等。通過一段腳本可以將立面的采光信息轉化成為一個曲面，這個曲面上每一個點的高低對應著該點采光率的高低，因此立面構件應滿足其所在位置的采光要求。外廊的外立面處理以此為基礎形成不同的開孔率以適應內部功能的不同要求，同時還為外廊生成了不同的景窗，使觀賞過程變得更加有趣。立面構件被設計成一系列的以旋轉為邏輯改變采光率的幾何構件，構件間既有連續的拓撲等價變化，又有連續的拓撲不等價變化，即由開放式的線性高采光率的景窗連續變化到封閉的四邊形及六邊形的低采光率景窗。設計充分體現了即使是極為簡單的幾何關聯關系在對其特性進行充分研究以后只經過簡單的羅列也可以產生豐富的幾何變換關系。將這個曲面通過另外一段腳本的運算用于控制不同模塊的安裝排列。

為了能夠控制工期，立面方案最后被限制在6種不同的模塊內，六種連續變化的模塊代表六種不同的采光率，經過腳本對控制曲面的計算，標有不同模塊的排列位置的施工圖紙自動生成。

不同功能決定不同的開窗方式，產生不同的內部感受。

Differnt patterns based on different function. Therefore generate different feelings.

Parametric Design（參數化腳本，gooood未按格式發布）

Option Explicit

‘Script written by

‘Script copyrighted by

‘Script version 2008/10/31 10:48:26

Call Main()

Sub Main()

Dim crvs

Dim i

Dim Stpt()

Dim Zvalue()

Dim Zvaluenew

Dim Crvsnew()

Dim j

Dim diPts

Dim ratio

Dim strBlockName

Dim block

Dim srf

Dim boundingbox

Dim min,max

Dim line

Dim ctPt

Dim intersectPt

Dim dvStep

crvs=rhino.GetObjects(“select curve”)

srf=rhino.GetObject(“pick control srf”)

boundingbox=rhino.BoundingBox(srf)

min=boundingbox(0)

max=boundingbox(3)

dvStep=1/12

‘————-sort sequence——————

For i=0 To Ubound(Crvs)

eDim Preserve Stpt(i)

Stpt(i)=rhino

.CurveStartPoint(Crvs(i))

eDim Preserve Zvalue(i)

alue(i)=Stpt(i)(2)

Zvaluenew=rhino.SortNumbers(Zvalue,False)

For i=0 To Ubound(Zvaluenew)

eDim Preserve Crvsnew(i)

or j=0 To Ubound(Crvs)

If Zvaluenew(i)= Zvalue(j) Then

Crvsnew(i)= Crvs(j)

End If

‘———-insert block————————

For i=0 To ubound(Crvsnew)

dipts=rhino

.DivideCurveLength(Crvsnew(i),1.4)

or j=0 To ubound(dipts)

line=rhino.AddLine(dipts(j),array(dipts(j)(0),max(1),dipts(j)(2)))

ctPt=rhino.CurveSurfaceIntersection(line,srf)

intersectPt=ctPt(0,1)

ratio=(intersectPt(1)-min(1))/(max(1)-min(1))

‘Call rhino.AddPoint(intersectPt)

Call rhino.DeleteObject(line)

If ratio < dvStep Then

strB

lockName = “X1”

ElseIf ratio > dvStep And ratio

strB

lockName = “X2”

ElseIf ratio > dvStep*2 And ratio

strB

lockName = “X3”

ElseIf ratio > dvStep*3 And ratio

strB

lockName = “X4”

ElseIf ratio > dvStep*4 And ratio

strB

lockName = “X5”

ElseIf ratio > dvStep*5 And ratio

strB

lockName = “X6”

ElseIf ratio > dvStep*6 And ratio

strB

lockName = “X7”

ElseIf ratio > dvStep*7 And ratio

strB

lockName = “X8”

ElseIf ratio > dvStep*8 And ratio

strB

lockName = “X9”

ElseIf ratio > dvStep*9 And ratio

strB

lockName = “X10”

ElseIf ratio > dvStep*10 And ratio

strB

lockName = “X11”

ElseIf ratio > dvStep*11 And ratio

strB

lockName = “X12”

End If

block=RHino.InsertBlock(strBlockName,dipts(j))

‘Call rhino.AddTextDot(intersectPt(1),dipts(j))

More：HHD_FUN

本文由 aye_aye_aye 轉載自：http://www.gooood.hk/_d271273387.htm

aye_aye_aye

坯子庫小編一枚

Arquia Banca新辦公室 / 西班牙赫羅納 / New Arquia Banca office in Girona / javier de las heras solé arquitecte

aye_aye_aye — Tue, 19 May 2015 06:05:59 +0000

Arquia Banca新辦公室位于西班牙赫羅納的國王廣場，這里是一片有著狹窄街道的古老城區。建筑師主要的工作是改建老建筑，組織新空間。

Pattern

Arrange a floor plan that comes from adding irregular areas using an orthogonal pattern that will organise the new space in a clear and simple way.

辦公室所在老建筑平面極不規則，一層是T形，二層是L形。建筑師打通局部二層與一層之間的天花板，讓建筑空間贏得更多的照明與通風，以及更多的公共空間。

Light

Floor plan proportions with a minimalistic facade with one of the facades facing a narrow street produce an interior space with scarce light. This project places the workplaces in the areas with more natural light.

老建筑主要采用了石材，在新改造中，木材作為與石材極為搭配的一種天然材料而成為主材。木材以豎向格柵與整面板的造型出現在空間。豎向格柵覆蓋在古老石材墻壁前方，但并沒有觸碰到墻壁，人們的視線可以通過格柵看見石墻，由此，建筑的歷史被尊重和強調。同時，豎向格柵也引導人們視線看向辦公室中的調高空間。

Floors
The two floor height gives us an opportunity to deeply treat the floor plan. After emptying and tearing down part of the first floor structure, a better lighting and ventilation is obtained, as well as more public interior spaces. Understand these interventions the same way as surgical cut, to cure.

Program
By means of the orthogonal pattern, prioritising the natural lighting for the most used spaces and emptying the first floor, we can differentiate the public space from the private space (floor internal use of the company) in a clear way using existing walls and the counter desk disposition that organises the hall and customer care spaces. We propose coexistence between public and private space.

Materials
Recover and show the stone walls and use only one material: wood. Wood is a material that because of its characteristics, organic, traditional, is a good match for the natural stone. Adding up this material is a way to relate it with the existing walls. Add elements, in an opposite way, without contact between them. Unlike stone walls, the wood strips sequence it is not a load bearing wall, but a covering and that is the way it is revealed. A horizontal wood strips disposition shows us the way in the waiting area, and the vertical disposition leads our look towards the double space that connects the two floors.

1st prize contest

Location
Address: Pla?a del vi no 4
City: Girona
Project: January 2014
Construction: july-2014 / February 2015
Total Construction Surface 185.8 m2

Author:
Javier de las Heras Solé, architect

Collaborators:
Architecture: Salvador Bou Gracia, architect
Structures: Blàzquez-Guanter arquitectes consultors d’estructures
Engineering: Josep Masachs, Proisotec enginyeria
Budget / Safety: Gerard Codina Mas, arquitecto técnico
Site Supervisor: Javier de las Heras Solé, architect
Project Supervisor: Gerard Codina Mas, architect técnico
Developer: Arquia Banca
Montse Nogués Teixidor / Maite Gimeno Pahissa / Berta Toyos Jiménez
Contractor: Joan Illa Casellas? Construccions Viladasens
Carpentry: Fusteria Guixeres? Joan Guixeras
Blacksmith: Ramón Cabratosa
Photography: Adrià Goula

MORE: javier de las heras solé arquitecte

本文由 aye_aye_aye 轉載自：http://www.gooood.hk/arquia-banca-office-in-girona.htm

aye_aye_aye

坯子庫小編一枚

Prada基金會米蘭新總部 / 庫哈斯新作 / Fondazione Prada complex in Milan / OMA

aye__e — Sun, 17 May 2015 13:16:38 +0000

Rem Koolhaas領銜的OMA受Prada基金會所托，在意大利米蘭將一座始建于1910年的工業園區改建成為全新的Prada基金會新總部。這座古老的工業園原有7棟倉庫與實驗室建筑與中間的一個孤零零的院子。OMA大刀闊斧將其整合改建，并新增了3個建筑主體，包含博物館臨時展覽區，電影院，以及一個10層高的畫廊，最終總面積達到18900平方米，公共面積12300平方米，私人區域6600平方米。

Rem Koolhaas告訴gooood：“如今藝術領域的改擴建項目數量已有所減少，而廢棄的工業用地也已經成為最有吸引力的改建場所，因為其卓越的空間姿態可以完美的承載藝術家的挑戰與理念。Prada基金會把新址選在了廢棄的工業園區，我們增加了大展館，塔，電影院這三個新體量以確保Prada基金會新總部擁有與建筑完美結合的藝術空間?！?/p>

Photograph by Bas Princen, Courtesy of Fondazione Prada

It is surprising that the enormous expansion of the art system has taken place in a reduced number of typologies for art’s display. To apparently everybody’s satisfaction, the abandoned industrial space has become art’s default preference — attractive because its predictable conditions do not challenge the artist’s intentions — enlivened occasionally with exceptional architectural gestures.

The new Fondazione Prada is projected in a former industrial complex too, but one with an unusual diversity of spatial environments. To this repertoire, we are adding three new buildings — a large exhibition pavilion, a tower, and a cinema — so that the new Fondazione Prada represents a genuine collection of architectural spaces in addition to its holdings in art.

The Fondazione is not a preservation project and not a new architecture. Two conditions that are usually kept separate here confront each other in a state of permanent interaction – offering an ensemble of fragments that will not congeal into a single image, or allow any part to dominate the others.

New, old, horizontal, vertical, wide, narrow, white, black, open, enclosed — all these contrasts establish the range of oppositions that define the new Fondazione. By introducing so many spatial variables, the complexity of the architecture will promote an unstable, open programming, where art and architecture will benefit from each other’s challenges.

–Rem Koolhaas

Photograph by Bas Princen, Courtesy of Fondazione Prada

“該基金會既不是一個保護項目，也不是一個全新的建筑”，Rem Koolhaas繼續說道：“而是兩者保持相互獨立對立但又永久交互，他們不會凝結成為單一的形象體，他們是合奏體中的獨立存在。在這里，新，老，水平，垂直，寬，窄，白，黑，開放，封閉—所有的差異和變量都對立并存于這個不穩定的復雜環境中，是建筑與藝術得益于這樣的挑戰與激發?！?/p>

Photograph by Bas Princen, Courtesy of Fondazione Prada

Photograph By Charlie Koolhaas ? OMA

Status: Construction
Client: Fondazione Prada
Location: Milan, Italy

Site: Former distillery at Largo Isarco No2, Milan, an industrial complex dating from 1910, comprising seven existing structures, including warehouse, laboratories, and brewing silos surrounded by a large courtyard and three new structures including a museum for temporary exhibitions, a transformable cinema building and a 10-storey high gallery tower.

Program: Total public area,12300 m2; total private area, 6600 m2; and total built area, 18900 m2

OMA Team
Partner in Charge: Rem Koolhaas, Chris van Duijn
Project leader: Federico Pompignoli
Preliminary Design: Sam Aitkenhead, Doug Allard, Andrea Bertassi, Aleksandr Bierig, Eva Dietrich, Paul-Emmanuel Lambert, Jonah Gamblin, Takuya Hosokai, Stephen Hodgson, Jan Kroman, Jedidiah Lau, Francesco Marullo, Vincent McIlduff, Alexander Menke,
Aoibheann Ni Mhearain, Sophie van Noten, Jan Pawlik, Rocio Paz Chavez, Christopher Parlato, Ippolito Pestellini Laparelli, Dirk Peters, Andrea Sollazzo, Michaela Tonus, Jussi Vuori, Luca Vigliero, Mei-Lun Xue
Progetto Definitivo: Anna Dzierzon, Jonah Gamblin, Ross Harrison, Hans Hammink, Matthew Jull, Taiga Koponen, Vincent Konate, Andres Mendoza, Susanan Mondejar, Vincent McIlduff, Sasha Smolin, Michaela Tonus
Construction documentation: Katarina Barunica, Marco Cimenti, Cecilia Del Pozo Rios, Anita Ernodi, Felix Fassbinder, Peter Feldmann, Siliang Fu, Romina Grillo, Jonah Gamblin, Clive Hennessey, Taiga Koponen, Roy Lin, Debora Mateo, Vincent Mc Ilduff, Andres Mendoza, Arminas Sadzevicius, Magdalena Stanescu, Lingxiao Zhang
Construction Administration: Mateo Budel, Marco Cimenti, Andrea Giovenzana, Nicolas Lee, Victor Pricop, Pawel Panfiluk

本文由 aye__e 轉載自：http://www.gooood.hk/fondazione-prada-by-oma.htm

aye__e