瑞典攝影師?Erik Johansson?著名於其高超的後製技術，創作出各種超現實的精彩影像，例如我們之前介紹過的作品。而今次這一輯，則是攝影師把照片扭成有趣、好玩而且奇妙的錯覺/矛盾空間，沖擊你的視覺，相信會讓你想起M.C.Escher的經典作品
Common Sense Crossing
這張「常識隧道」的概念，亦套用在攝影師一輯為TAC?TAC（Transport Accident Commission）?宣傳禁止藥后駕駛的廣告作品中：
受藥物影響的駕駛者，視覺就如以上作品般混亂，概念很貼題吧？
Closing Out
以下是這張作品「Closing Out」的幕後製作片段，可見相片的後製工序當然複雜，但事前的拍攝功夫也不少！
攝影師的其他作品：
Reverse Opposites
Perspective Squarecase
Penrose Lego
Impossible Escape
Nightmare Perspective
更多作品，可以去到攝影師的個人網站欣賞。
（轉載文章，源文章地址：http://photoblog.hk/wordpress/109208/%E7%91%9E%E5%A3%AB%E6%94%9D%E5%BD%B1%E5%B8%AB-erik-johansson-%E5%B0%87%E7%85%A7%E7%89%87-ps-%E6%88%90%E3%80%8C%E4%B8%8D%E5%AD%98%E5%9C%A8%E7%9A%84%E9%8C%AF%E8%A6%BA%E7%A9%BA%E9%96%93%E3%80%8D）
本文由 s313238 轉載自：http://photoblog.hk/wordpress/109208/%E7%91%9E%E5%A3%AB%E6%94%9D%E5%BD%B1%E5%B8%AB-erik-johansson-%E5%B0%87%E7%85%A7%E7%89%87-ps-%E6%88%90%E3%80%8C%E4%B8%8D%E5%AD%98%E5%9C%A8%E7%9A%84%E9%8C%AF%E8%A6%BA%E7%A9%BA%E9%96%93%E3%80%8D
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The Midtown DESIGN TOUCH Park kicked-off in a wide open grass field in Tokyo Midtown where?
design can be enjoyed with the five senses. Here, we proposed an open stage on which children?
and adults alike take part in workshops while having fun.
design can be enjoyed with the five senses. Here, we proposed an open stage on which children?
and adults alike take part in workshops while having fun.
A very long table has suddenly appeared on the lawn. We installed a tabletop running 50 meters?
in a straight line, as if drawing a horizontal line on the gently sloping grassy field.
in a straight line, as if drawing a horizontal line on the gently sloping grassy field.
The table naturally grows taller as we move along the inclined plane. The structure serves as a?
symbol for the children’s workshop—it is a floor, a table, a bench, a playground or even a shelter.
symbol for the children’s workshop—it is a floor, a table, a bench, a playground or even a shelter.
Various persons come all together around a single 50 meter-long table, discovering various?
places along the way; places to sit down, to stand up, to lie down or pass under.
places along the way; places to sit down, to stand up, to lie down or pass under.
Like a big family gathered around a picnic table, this is a stage full of smiles where all citizens,?
young and old, converge to create something new.
young and old, converge to create something new.
?
Principle use: EXHIBITION SITE
Structural design: Ohno JAPAN
Production: Ishimaru
Building site: Tokyo Midtown DESIGN TOUCH Park?
Design Period: 2011.07–10
Construction period: 2011.10.24–26
Duration: 2011.10.28–2011.11.06
Photo: Fuminari Yoshitsugu / TORAFU ARCHITECTS
Structural design: Ohno JAPAN
Production: Ishimaru
Building site: Tokyo Midtown DESIGN TOUCH Park?
Design Period: 2011.07–10
Construction period: 2011.10.24–26
Duration: 2011.10.28–2011.11.06
Photo: Fuminari Yoshitsugu / TORAFU ARCHITECTS
這個桌子長50米，在緩坡草坪上繪制出一條水平直線。
這簡直就是一個露天的舞臺，兒童，成人都參與其中。隨著桌面高度的變化，人們可以把桌子當地
板用，或就當桌子用，或當成板凳，或當成庇護所。大家圍繞在這里，或坐，或站，或躺下，或者
是穿越。
板用，或就當桌子用，或當成板凳，或當成庇護所。大家圍繞在這里，或坐，或站，或躺下，或者
是穿越。
桌子就像一個神奇的寶貝，讓大家匯聚成一個大家庭，讓所有的人們，無論年輕還是老邁，都喜笑
眉開。這是一個創新之桌。
眉開。這是一個創新之桌。
?
桌子在場地上存在9天后便被拆除，其材料正在被重新制作成椅子和桌子，用于日本311地震受災區。
?
Designed for Tokyo Midtown DESIGNTOUCH, which ran for 9 days during which various workshops?
for children were held at the table, it was dismantled after the event. All the parts were shipped to?
Ishinomaki city in Miyagi Prefecture, which was affected by this year’s 3/11 earthquake and tsunami,?
where all the material are being recycled and reused where needed. This is coordinated by?
‘Ishinomaki Koubo’, a organisation which brings together professionals, resources and provides?
tools for rebuilding efforts. The materials that make up Gulliver Table is now being made into tables?
and benches needed in the local area.
for children were held at the table, it was dismantled after the event. All the parts were shipped to?
Ishinomaki city in Miyagi Prefecture, which was affected by this year’s 3/11 earthquake and tsunami,?
where all the material are being recycled and reused where needed. This is coordinated by?
‘Ishinomaki Koubo’, a organisation which brings together professionals, resources and provides?
tools for rebuilding efforts. The materials that make up Gulliver Table is now being made into tables?
and benches needed in the local area.
MORE:?Torafu Architects
本文由 aye_aye_aye 轉載自：http://www.gooood.hk/_d273039077.htm
 aye_aye_aye |
坯子庫小編一枚 |
?????????? Steadfast Bunch
?
??????????? detail image from “Steadfast Bunch,”
For about the last ten years, I’ve been experiencing a sporadically recurring dream about the end
of the world. Animals stampeding and buildings falling into dust around me, I wake up in a panic
and with a heavy sense of inevitability.? Although I’m not trying to recreate this dream in my work, I
think that like my dream, my paintings reflect my view of the nervous state of affairs the world
seems to be in.
of the world. Animals stampeding and buildings falling into dust around me, I wake up in a panic
and with a heavy sense of inevitability.? Although I’m not trying to recreate this dream in my work, I
think that like my dream, my paintings reflect my view of the nervous state of affairs the world
seems to be in.
Inspired by natural and unnatural disasters, personal fiascoes and the never ending stream of
bad news coming in from the media, a relentless mob of curious plant-like creatures and other
disasters have swarmed over the painted landscapes, threatening the creatures and life within.
Like us, the creatures in my work stumble through the best they can; given their circumstances.
Acting out of vulnerability they try to create security but sometimes, like us, end up kicking their
own asses.? I am fascinated by the resilience of life. Every disaster is followed by rebirth, where
we hike up our boots, duct tape our lives back together and try to cobble together a “plan b” out
of what remains.
bad news coming in from the media, a relentless mob of curious plant-like creatures and other
disasters have swarmed over the painted landscapes, threatening the creatures and life within.
Like us, the creatures in my work stumble through the best they can; given their circumstances.
Acting out of vulnerability they try to create security but sometimes, like us, end up kicking their
own asses.? I am fascinated by the resilience of life. Every disaster is followed by rebirth, where
we hike up our boots, duct tape our lives back together and try to cobble together a “plan b” out
of what remains.
My paintings document my love of both the urban landscape, and small twisted creatures.
?
?????? Tensile Strength
過去的10年中，藝術家Amy Casey總是做著關于世界盡頭的夢：建筑坍塌，動物狂奔，而Amy
Casey在驚醒之后仍感沉重。她的作品并不是要重現夢境，而是在咫尺畫布之間反映她對世界的緊
張看法。
Casey在驚醒之后仍感沉重。她的作品并不是要重現夢境，而是在咫尺畫布之間反映她對世界的緊
張看法。
靈感來自自然的，非自然的災害，以及從媒體上傳來的無休止境的壞消息，藝術家將這種來源于生
活的威脅感表達了出來。生活就是這樣跌跌撞撞，充滿紕漏，但生活具有寬廣的適應力，每一次災
難之后就是新生，我們要邁開步伐，重新上路，并完成那未完的“B計劃”。
活的威脅感表達了出來。生活就是這樣跌跌撞撞，充滿紕漏，但生活具有寬廣的適應力，每一次災
難之后就是新生，我們要邁開步伐，重新上路，并完成那未完的“B計劃”。
?????? Island
????????? detail image from “Island”
????????? Ballast
????????? Break-wall
????????? Loom
????????? United Front
?????????? City Blocks
MORE:
本文由 aye_aye_aye 轉載自：http://www.gooood.hk/_d271719626.htm
]]>| aye_aye_aye |
坯子庫小編一枚 |